It’s that instantaneous! The level of detail and programming that has gone into these far outweighs the minimal cost too. Indeed in the short time I’ve written these words I returned to playing with FR3TZ° and AETONZ° and already created the backbone of a new work. Combining different modules leads you down paths where even a map wouldn’t help you out of, and suddenly you realise it’s dark and entire day has been devoured by the intricate ways of these tools! The immediacy of Blinksonic instruments is a joy. With a few twists and turns of parameters you find yourself entering a pattern you would probably never have anticipated developing. It’s all too easy to fall into familiar ways of working.
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From authentic emulations of classic gear to bizarre, otherworldly creations from the conventional to the controversial REAKTOR delivers.“ I’ve always been drawn to chance encounters and possibilities within software and hardware that allows me opportunities to surprise myself. The wide range of sequenced instruments and drum machines lets you create dynamic rhythms, melodies, chord sequences and more. The stunning array of synthesizers delivers everything from rumbling basses to searing leads and beyond. Powerful samplers allow far reaching granular resynthesis and the innovative effects pave the way for profound sound manipulation. REAKTOR 5 is equipped with a vast library of more than 20 impressive and innovative instruments. Whether you are using the instruments from the library or creating your own, the only limit is your imagination. Due to the open engine architecture, the potential for building your own highly individual instruments is endless. Musicians, producers and sound designers are all catered to by the very broad range of instruments and sounds already included. The Fusion of Synthesis, Sampling, Effects and Sequencing REAKTOR 5 fuses all audio applications into a single, extremely versatile and powerful tool. Advanced users will be continually challenged by the freedom to create new and exciting sounds, though. New users should look to Reaktor Sessions, which focuses on being a software instrument rather than a development environment for creating your own modules. While Reaktor is mind-blowing, it does have a pretty steep learning curve.
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By creating objects, defining a set of parameters, then linking a whole series together, you can create a sampler, or a delay effect, or whatever you like. It works well with a host program via VST 2.0, Audio Units, and DXi plug-ins or as a standalone application via ASIO or Core Audio. Loading up any of the modules and playing with them for a few minutes quickly gives you an idea of how versatile this program can be. The sound quality of the demo modules is breathtakingly dense and clear. Reaktor sports a clean layout with a whole gaggle of knobs, sliders, and buttons. Using that model, Native Instruments' Reaktor gives you the ability to dream up and piece together your own Frankenstein synths, samplers, and effects. If there were an audio equivalent to Legos, it would be modular synthesis.
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